Isida Khan is an independent writer and researcher, grounded in sociology. Her work examines thresholds of consciousness, the nature of conscience, and, in truth, all those things in which few profess an interest.
Drawing upon the principles of systems thinking, she scrutinises character, volition, virtue, and morality—ever ashamed of her own eccentricity. (Have you not heard that morality shapes intelligence?) Through the clad symbolism and layered metaphors, she attempts to share with the world her intimate observations. Her writings aspire to wed the disciplines—be it science and philosophy, realism and mysticism, or any other branching study—by crafting a wicked multidimensional edifice from what she deems to be shabby little worlds…
Satire, says Isida Khan, is the best remedy for absurdity.
The Molecule of Eternity is her first major work, blending the elements of natural philosophy, magical realism, and speculative fiction. Indeed, this quite unusual composition is an exploration—a species of clamorous, at times, even provocative reconnaissance—of identity, illusion, and, of that hypermagnetic pull which draws all things, kindred and alien alike, into an inescapable proximity. Its aim is not as much to furnish answers, but to compel the asking of ever more questions.
While the body of the novel gathers the scattered shards, the concluding chapter of the elusive Molecule of Eternity presents a descent into a dreamscape of lost cities, forlorn myths, and arcane technologies, where each drawn breath sends ripples across the fragile surface of tensed reality.
For long years, Isida Khan has been artificing (the verb must persist!) a masterpiece meant to carry the reader, if only for a moment, beyond the rim of the mundane.